Wes Hopper

In this season, time is immutable. It can be questioned, but not changed. Family can be understood, but not altered. The self, in this case, the result of intergenerational trauma, must be accepted. In Russian Doll, the only way to see the good in the world is to stop looking back, to stop journeying inward, and to the wake up in the present.

In Sergie Loznitsa’s new documentary film, Babi Yar. Context, the decade spanning the Nazi invasion of Ukraine through the ensuing war crimes trial is explored using only archival footage and the occasional title card. Babi Yar (Babyn Yar) is a ravine outside the Ukrainian capital of Kyiv where on September 29-30, 1941, the Nazi Regime massacred an estimated 33,771 Jewish people. The result is a stark, uncompromising exploration of war and genocide that enlists the viewer in bearing witness to one of history’s most notorious atrocities. 

With the 94th Academy Awards ceremony just days away, it's time to check in on the state of the various Oscar races and which Jewish nominees stand the best chance of taking home a statue.